Arthouse Revival
Dive into bold, thought-provoking Arthouse, International, and Independent films in this dynamic series that revives cinematic masterpieces and brings eccentric gems back to life. Each week, explore cutting-edge genres, groundbreaking movements, and visionary filmmakers, with the month culminating in a member-selected screening that celebrates the very best in film.
Cure
October 6 | 7:00 PM
Kiyoshi Kurosawa’s spellbinding international breakthrough established him as one of the leaders of the emerging new wave of Japanese horror while pushing the genre into uncharted realms of philosophical and existential exploration. A string of shocking, seemingly unmotivated murders—each committed by a different person yet bearing the same grisly hallmarks—leads Detective Kenichi Takabe (Koji Yakusho) into a labyrinthine investigation to discover what connects them, and into a disturbing game of cat and mouse with an enigmatic amnesiac (Masato Hagiwara) who may be evil incarnate. Awash in a mood of hushed, hypnotic dread, Cure is a tour de force of psychological tension and a hallucinatory journey into the darkest recesses of the human mind.
Kwaidan
October 13 | 7:00 PM
After more than a decade of sober political dramas and socially minded period pieces, the great Japanese director Masaki Kobayashi shifted gears dramatically for this rapturously stylized quartet of ghost stories. Featuring colorfully surreal sets and luminous cinematography, these haunting tales of demonic comeuppance and spiritual trials, adapted from writer Lafcadio Hearn’s collections of Japanese folklore, are existentially frightening and meticulously crafted.
Jigoku
October 20 | 7:00 PM
Shocking, outrageous, and poetic, Jigoku (Hell, a.k.a. The Sinners of Hell) is the most innovative creation from Nobuo Nakagawa, the father of the Japanese horror film. After a young theology student flees a hit-and-run accident, he is plagued by both his own guilt-ridden conscience and a mysterious, diabolical doppelgänger. But all possible escape routes lead straight to hell—literally. In the gloriously gory final third of the film, Nakagawa offers up his vision of the underworld in a tour de force of torture and degradation. A striking departure from traditional Japanese ghost stories, Jigoku, with its truly eye-popping (and -gouging) imagery, created aftershocks that are still reverberating in contemporary world horror cinema.